Sofia Beilharz

Sofia Beilharz

Sofia Beilharz

Sofia Beilharz

Between jewelry and sculpture

In the works of Sofia Beilharz geometry is always the starting point. Very often clear and reduced forms turn from the two- into the three-dimensional. They reflect and illustrate the relationship between simplicity and complexity when they shift from one dimension into the other. Body and movement of the wearer are crucial for the final effect of the jewellery. Sometimes it seems as if the frontiers between jewellery, clothes and the body dissappear. They all merge into simplexity. The favourite materials are PVC foile and aluminium, because of their lightness.

http://www.sofiabeilharz.de/

Shunichiro Nakashima

Shunichiro Nakashima

Shunichiro Nakashima

Shunichiro Nakashima

The beauty of non-permanence

Shunichiro Nakashima is a hand weaver, designer (textile, jewellery, product, interior, graphic), as well as an assistant professor of Kanazawa College of Art in Kanazawa, Japan. He started his career in 1996 with large-scale hand weaving works, made of hand dye and spun the thread, and has been focusing on creating jewelries by using fiber materials in recent years. Based on his rich knowledge and craft skills with textile and natural dye, Nakashima creates unique jewelry by taking advantages of lightness and flexibility of the materials. Nakashima’s jewelry works are mainly created from silk, feather and plastics. They are not permanent materials such as precious metals and gems. At some point in time, his jewelry fades and rots away. For this reason his work is more luxurious than precious metals and gems. Non-permanence, which provides us the beauty of the moment is one of the pleasures of fashion and a joy of life. Permanence is not sustainable. Even if only the material, or matter, is left eternally, the spirit is not handed down in the next age. The succession of spirit gives meaning to the material.

https://www.alternatives.it/shunichiro-nakashima

MAKI-edition WA SHO pierce
Installation HANE-edition
Werkstatt Shunichiro Nakashima
Installation MAKI-edition WA DAI
Installation CHIRI-edition
CHIRI-edition small pierce
MAKI-edition WA DAI bangle
HANE-edition pierce
CHIRI-edition long pierce
Laurin Kilbert

Laurin Kilbert

Laurin Kilbert

Laurin Kilbert

Is time mensurable?

Laurin Kilbert is a jewelry artist. The idea of jewelry as wearable sculpture, as a transmitter for any kind of messages still is blowing his heart and mind and drives his work. Sometimes it is about beauty, emotions, the human abyss, nature or politics. The world is big, but we can tell some stories in small scales.

laurinkilbert.de/

time flies like an arrow

We can imagine time as an arrow, because on every clock and watch we can see one. One second is one second for every human being – this makes part of our perspective of time. We are born, we age and we‘ll die in the end. We can imagine time also as a resource: Money. Time = Money is one of the great paradigms of western society. We are able to spend, to save or to lose time – same as we can do it with money. This idea of time works quite well in a very economic view of the world, but if we look deeper, boundaries of this perception will be revealed. Life without money is a possible thing, but life without time is hard to imagine and still we say: I don‘t have time. We think time itself as a recource, just like money. What happened to a person who lacks of time? Is this a poor person? What happens if we only measure and not „feel“ time? The intellectual boundary of our perception of time is a cultural one and has not only advantages but also disadvatages. E. g. Burn-Out-Syndrome, stress in free-time and absolute efficiency as general purpose, but we are able to open up our idea of time. The watch, jewellery, symbol for progress, punctuality and precision is a most intimate and worn manifestation of this idea and is the aim of this work. What happens when a watch lacks of time? What can happen instead at the clockface? What do we can see, when we look closely to our time-perspective? The boundaries have to be pushed, because one thing is sure: Time is far more than just like an arrow.

Alessa Joosten

Alessa Joosten

Alessa Joosten

Alessa Joosten

On the cutting edge of fashion, art & design

Reduced – sensual, sculptural – two-dimensional, eye-catching –modest. Alessa Joosten’s jewellery is characterized by contrasts and ranges between fashion, design and art. It appeals to confident women because it radiates confidence itself through size, shape and colour. Its formal language is simple and reduced to the essentials. The aesthetic value of the jewellery is formed by the handling of the material and the construction itself instead of decorative elements. But „simple” doesn’t necessarily refer to a simple production. Designing and testing takes time, a number of models are formed until they result in the final prototype. The jewelry designer is interested in simple but extraordinary connection techniques as folding, bending, cutting or clipping. Art trends like minimalism or art deco are inspiring me as well as contemporary zeitgeist. Materials can also be a starting point for a new work.  Alessa’s jewellery is simple but extraordinary. The extraordinary lies within the simplicity. Simple is extraordinary. Simple is different.

alessajoosten.com/

pavo
tetrahedron Ohrringe
wooden twist
arc
tetrahedron Kette
wooden collar
holle – marie jewelry

holle – marie jewelry

holle marie – jewelry

holle marie – jewelry

Commitment for contemporary design. Passion for concept and aesthetics. High standards in quality and materials.

holle marie – jewelry is a young jewelrydesign-studio based in Berlin. Being founded three years ago by Holle Schäfer, concept, development and completion are in one hand. All pieces are handmade by the diploma designer in her own studio in Berlin-Wedding. Traditional craftmanship is being combined with modern style. Every single piece reflects love for the details, lightness in design and contemporary form understanding.
Visit Holle – Marie’s site here